PreSonus Studio 24cFrom real comments

Verdict distilled from 31 mentions across 13 aspects in comments under product review videos.

Positive sentiment38%
PROS 38%
CONS 62%

Rank based on 31 mentions across 13 aspects

View the verdict as

Buy this if...

  • You want clean, neutral sound with low latency for MIDI/VSTi work
  • You mainly use line-ins or hotter mic sources and value plug-and-play OS compatibility
  • You own higher-impedance headphones (150-300 ohm) rather than low-impedance ones

What users love

Skip this if...

  • You rely on quiet dynamic mics or need lots of clean gain headroom
  • You need separate 48V phantom control for mixed mic/instrument channels
  • You use low-impedance headphones (32 ohm) as your primary monitoring output

What users complain about

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PreSonus Studio 24c
Clean, neutral sound qualityDrives higher-impedance headphones wellLow round-trip latencyWeak preamp gainHigh headphone output impedanceCrackling, popping, or connection dropout issues
PreSonus Studio 24c
Clean, neutral sound quality
Drives higher-impedance headphones well
Low round-trip latency
Weak preamp gain
High headphone output impedance
Crackling, popping, or connection dropout issues

Who wins on what

Ranked by what users actually praise

Overall Impression

Sound quality and imaging impress across many users. Commenters describe the 24c as sounding fantastic, neutral, and clean, with excellent crosstalk numbers and noticeable separation between bass and mids compared to older interfaces like the Mackie Onyx Producer. One long-time owner called the DAC noticeably more musical than a Motu M2 with a SABRE32 chip. Latency measurements as low as 4.5-9.5ms at 128 buffer/48kHz were praised as excellent for composing and live monitoring.

Preamp gain is repeatedly called insufficient. Multiple users report needing to push input gain to nearly 100% with dynamic mics (Shure SM57), condenser mics, and even a RodeCaster-comparable setup, resulting in low recorded volume, white noise, or unusable levels with distortion effects like Amplitube. One reviewer called the preamp 'ridiculously inadequate' compared side-by-side with a RodeCaster Pro, while another noted the 68c offers much higher max gain (+80dB vs +50dB).

Headphone output impedance causes mixed results depending on cans used. The 22-ohm output impedance creates volume/balance issues with common 32-ohm headphones, including left-channel bias at low volume, and pushed some users toward routing through 'main out' instead. However, others report the interface drives higher-impedance headphones (64-300 ohm) well, with one long-term user noting it handled a DT 990 Pro and HD 560 comfortably, only avoiding newer low-impedance Beyerdynamic models.

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