PreSonus Revelator io24From real comments

Verdict distilled from 6 mentions across 1 aspects in comments under product review videos.

Positive sentiment100%
PROS 100%

Rank based on 6 mentions across 1 aspects

View the verdict as

Buy this if...

  • You want onboard DSP/Fat Channel processing and loopback mixing for streaming at an affordable price
  • You're a Studio One user who wants tight software integration
  • You need a strong headphone amp/mic preamp without extra gear

What users love

Skip this if...

  • You need a de-esser or a fully adjustable noise gate with attack/release controls
  • You require wide EQ range (e.g., for phono/RIAA curves) or 4+ mix outputs
  • You've read reports of dud units, firmware issues, or headphone pulsing noise and want rock-solid reliability

What users complain about

No cons data available.

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Who wins on what

Ranked by what users actually praise

Overall Impression

Powerful onboard DSP and Fat Channel processing win over streamers and musicians alike. Commenters repeatedly highlight the onboard DSP, Fat Channel presets, and loopback/mixing features as standout strengths, with several calling it one of the best interfaces under $200 and a favorite piece of gear. Studio One integration lets users control effects directly from the DAW, and the headphone amp/preamp reportedly outperforms competitors like the MOTU M4, making it attractive for both streaming and home recording use cases.

Hardware quality control and headphone noise issues frustrate a notable subset of buyers. Multiple users report receiving dud or faulty units requiring replacement, firmware update loops, and random crashes from cable movement. A well-documented pulsating or 'helicopter' noise from the headphone output affects some units, which PreSonus is reportedly aware of. Software bugs like Universal Control failing to detect the device on Mac and glitchy mouse behavior add to reliability concerns despite generally responsive replacement service.

Missing de-esser, limited EQ range, and a crude gate leave power users wanting more. Several experienced users wish for a de-esser, more Fat Channel plugin options, and wider EQ gain range, noting the current -15 to 15dB range can't handle RIAA phono curves. The built-in gate is criticized as having no attack, hold, release, or threshold controls, making it too slow and unusable for some. Ergonomic gripes include the rear headphone jack, front-facing mic inputs, and no separate 48V or headphone volume knobs.

Outdated / Not-accurate data?