graphic_eqWarm, organic delay toneKey factorexpand_more0 mentions
Many long-term owners describe the RE-20 as their favorite delay pedal, praising its organic, convincing tape-echo character and strong self-oscillation. It's said to sit well in a mix and outperform other digital and even boutique tape-sim delays.
Strongly positive
verifiedReliable long-term ownershipNotableexpand_more0 mentions
Multiple users report owning theirs for years (2 to 8+) without issue, still sounding amazing and remaining a board staple they don't want to replace.
Strongly positive
attach_moneyGood value compared to vintage/newer unitsexpand_more0 mentions
Owners note it's cheaper than the RE-202, sounds close to the original RE-201, and was a good deal secondhand or at a garage sale, making it accessible compared to pricier real or newer alternatives.
Widely praised
pianoVersatile across instruments and genresexpand_more0 mentions
Beyond guitar, users run trumpet, keyboard, and melodica through it for dub/reggae and other textures, showing broad usability across setups.
Strongly positive
tuneTone-shaping bass/treble controlsexpand_more0 mentions
The bass and treble knobs color the delay repeats themselves, not just the reverb, letting players go darker than a Carbon Copy or brighter than a DD-3. Users call this a huge selling point for customizing delay character.
Strongly positive
settingsVersatile hidden/extended modesexpand_more0 mentions
Long Mode and re-feeding the signal between inputs/outputs unlock flangey, more saturated, tape-like textures. The saturation knob can also be set to affect the dry signal for extra character.
Strongly positive
tuneExpression pedal controlexpand_more0 mentions
Users enjoy pairing it with an expression pedal (e.g., Roland EV-5) to control repeat rate, intensity, or echo level, adding dynamic, even dramatic, control during performance.
Widely praised