Antelope Audio Goliath HDFrom real comments

Verdict distilled from 14 mentions across 10 aspects in comments under product review videos.

Positive sentiment50%
PROS 50%
CONS 50%

Rank based on 14 mentions across 10 aspects

View the verdict as

Buy this if...

  • You need massive simultaneous I/O for a large studio or summing setup
  • You prioritize top-tier dynamic range and pristine preamp/converter quality
  • You already use Thunderbolt 2.0/USB 3.0 and Mini DigiLink workflows

What users love

Skip this if...

  • You have a hard budget ceiling around or below $5,000
  • You need native Dante networking or Thunderbolt 3/USB-C connectivity
  • You prefer separate preamp and converter units rather than an all-in-one box

What users complain about

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Antelope Audio Goliath HD
Exceptional dynamic rangeMassive channel count and I/O flexibilityOutstanding FPGA effectsHigh price pointMissing Dante networkingCombined preamp and converter design disliked by some
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Exceptional dynamic range
Massive channel count and I/O flexibility
Outstanding FPGA effects
High price point
Missing Dante networking
Combined preamp and converter design disliked by some

Who wins on what

Ranked by what users actually praise

Overall Impression

Exceptional dynamic range and sonic quality define the Goliath HD experience. Multiple users single out the interface's dynamic range as class-leading, with one citing a 129dB output range and a 132dB master out described as unheard of on a commercial interface. Another long-term owner calls the preamps, headphone outputs, and speaker outputs pristine and 'superb in every measurable arena,' saying the FPGA AFX effects are outstanding and the purchase is one you will never regret despite the cost.

Massive I/O and flexible connectivity make it a fit for large studios. Commenters highlight 64 channels of simultaneous I/O at 24-bit/192kHz via HDX, USB 3.0, and MADI, alongside ADAT, S/PDIF, and DB25 connections, plus 32 analog outputs for big summing setups. One user appreciated that Antelope retained both Thunderbolt 2.0 and USB 3.0 while adding Mini DigiLink, calling it great for large studios, though they wished for more AFX channels.

Price and missing modern connectivity are the main sticking points. Several commenters flag the cost as a barrier: one expected only a modest increase over the standard Goliath but found the jump above $5,000 too steep, prompting them to consider sticking with Universal Audio gear instead. Others wish for Thunderbolt 3/USB-C and a Dante port to make it 'the ultimate interface,' and one raised concerns about Windows 10 and USB 3.0 compatibility based on forum reports.

Outdated / Not-accurate data?