layersMultitimbral and layering capabilityKey factorexpand_more0 mentions
Unlike the monotimbral DX7, the DX11 supports up to 8 multitimbral parts, splits and layered/detuned stacking, praised for building complex tones and gigging flexibility.
Strongly positive
graphic_eqWarm, gritty FM characterNotableexpand_more0 mentions
Multiple owners describe the DX11's non-sine waveforms as giving it a warmer, grungier, more analog-sounding tone than typical FM synths. One even got bass comparable to a Moog out of it.
Strongly positive
tuneDiverse waveforms per operatorNotableexpand_more0 mentions
The 8 available waveforms per 4-op voice let users build sawtooth-like and other complex timbres with fewer operators than the DX7 needed, extending 4-op FM's capability.
Widely praised
pianoSolid build and pleasant keybedNotableexpand_more0 mentions
Owners describe the keybed as compact, solid and pleasant to play, with good ergonomics for a pro instrument, and note it holds up well decades later.
Widely praised
pianoStrong EP, bass and organ patchesNotableexpand_more0 mentions
Several commenters single out the electric piano, bass and organ sounds as standout, describing the EP tone as beautiful and iconic, and organ as close to a Korg M1.
Widely praised
cableGood MIDI connectivityexpand_more0 mentions
Users appreciate the DX11's MIDI interface, useful for connecting to computers or other gear, and its ability to double polyphony when paired with another unit.
Widely praised
attach_moneyAffordable relative to alternativesexpand_more0 mentions
Commenters note the DX11 is cheap and more affordable than modern competitors like the Korg Opsix, making it a good value entry into FM synthesis.
Widely praised